I have the sudden urge to watch every movie with Robin Williams in it. Starting with Flubber.

vaguelywatermarksthesky:

j-e-t-k-o:

Every time a character says ‘Honor’ in A:tlA

i cant stop laughing

nonernonernonernonernonernoner

gogoatt:

Pokemon Spectrum | by gogoatt

kyleyo:

when u wake up feelin productive

image

vhanstiel:

girlatsunrise:

doppelrahmstufe:

(via via bg4Po.jpg 496×672 pixels)

WE FOUND IT.
WE FOUND BETELGEUSE FIVE.

Remember when we read about touchscreen and ebook before those things exist? Now if you’ll excuse me, I need to find myself a nice towel.

vhanstiel:

girlatsunrise:

doppelrahmstufe:

(via via bg4Po.jpg 496×672 pixels)

WE FOUND IT.

WE FOUND BETELGEUSE FIVE.

Remember when we read about touchscreen and ebook before those things exist? Now if you’ll excuse me, I need to find myself a nice towel.

jackthevulture:

Welcome to Featherquest

jackthevulture:

Welcome to Featherquest

Shingeki no Kyojin / Attack on Titan OST - 05. Counter attack of Mankind
212,225 plays

niuniente:

This is one of the best anime soundtracks ever (very movie like music). I love how this song basically has two moods in it, changing around 3:00. Worth of listening - all the way till the very end. 

jpolgar1:

Around April of last year my friend, Jamie Vickers, encouraged Ben Li and I to apply to animate on Masaaki Yuasa’s “Space Dandy” episode.  Yuasa-san was apparently looking for international animators and posted about it on his Facebook wall.  We turned in our reels and promptly got the gig.

I decided to only take on four shots just to feel it out and to make sure I got it all in on time. 

The Carpaccio animation and shadow passes weren’t used in the final cut, but I decided to include them for this post to show what was turned in and approved.  The rest of the drawings I did came through though!  Very exciting to see the final animation all cleaned up, colored and cut together.

Yuasa-san was very open to us using Flash to animate our shots.  The production took the final keys (genga’s), printed them out, retraced onto paper and inbetweened those drawings.  It’s a pretty wild pipeline, but it totally worked.  I am grateful to have experienced working under one of my most favorite directors, Masaaki Yuasa-san.  

If granted the opportunity I would like to do more animations for Yuasa-san and other overseas productions in the future.  For now I will continue working on my personal project that I aim to get done before the end of the year. 

Space Dandy

Ep 3 Season 2

"Slow and Steady Wins the Race, Baby!"